Offense

This section has ideas for developing an offensive philosophy and system. I hope that it stimulates your thinking to come up with additional questions that can help your basketball staff to clarify ways that you can get the most out of your players.

Transition

• Do we want to run in lanes for spacing or run random transition?
• What do we want to get out of transition?
• Do we want to run any secondary break actions?

Press Offenses

• How many press offense alignments do we need?
• How many press offenses do we need?
• What players comprise our “good hands” team?

 

 

 

Man Offense

• What motion offense (if any) best fits our team?
• Do we want to add, subtract, or change any of our continuities?
• Do we want to add, subtract or change any set plays?
• Do our man offenses put us in the best position to offensive rebound as well as have defensive floor balance?

Zone Offense

• Should we add, subtract or change any of our zone actions?
• Should we add, subtract or change any of our zone sets?
• Are we able to attack all types of zones and traps with our zone offense?
• Do our zone offenses provide us with offensive rebounding opportunities as well as defensive floor balance?

Inbound Plays

• How many different alignments do we want to use?
• When do we want to put in each alignment? (Should we save any for late in season?)
• Do we have a play that takes advantage of any way that the opponent may guard us? (Zone, Denial, Pack, Switch)
• Do we have plays that take advantage of the positioning of the inbound defender?

Special Situations

• Do we want to add, subtract or change any of our last second full court, 3/4 Court, 1/2 Court, 1/4 Court or UOOB plays?
• How much time is needed on the clock to execute each play?
• Do we need to make any changes to our delay game?
• What FT plays do we run if we have to miss intentionally and need a two-point shot or three-point shot to tie?
• When will we start to hold for the last shot to end a quarter?
• When will we shoot the ball to end a quarter?
• What play will we use to end the quarter?

This article was written by Coach Randy Brown.

He has passion for the game of basketball and works as a basketball consultant and mentor for coaches. C

A speaker and writer, he has authored 75 articles on coaching and is nationally published.

His 18 years in college basketball highlights a successful 23-year career. Mentored by Basketball Hall of Fame coach Lute Olson at Arizona.

Randy’s coaching resume includes positions at Arizona, Iowa State, Marquette, Drake, and Miami of Ohio, 5 Conference Championships and 5 NCAA appearances. His efforts have helped develop 12 NBA players including Steve Kerr, Sean Elliott, and Jaamal Tinsley. To contact Randy, email him at [email protected]

In my current role as a mentor to coaches, I receive a lot of questions about practice and game strategies and ideas. Recently I was asked how to beat a team that switches screens in their man to man defense. There are five ideas that I’d like to share with you.

1. On ball screens–One of the most difficult defensive tasks is guard on ball screens. One way to attack a switching defense is to set on ball screens that will create mismatches. The Big/Little and Little/Big on ball screens will create constant matchup problems for the defense. It will be up to them how they choose to handle this situation.

2. Pass and Cut strategy–Instead of screening, pass and cut on every pass, not giving the defense a chance to switch. This will open the floor and allow your post players to gain good position in the block areas.

3. Run set plays. I think that sets are more difficult to switch than straight motion. Sets are designed to include many mismatch-type screens mentioned in #1. Motion screens are mainly between like sized players, making it easier for the defense to switch.

4. Back cutting–If you are down screening on the wing, the defense will anticipate a switch coming. Just before the point of the screen, the cutter can back cut hard to the basket. The question now is, who has the cutter? Does the original defender keep him, which goes against their switching policy, or does the screener’s man have him even though the cutter has not yet come into the defenders area.

5. Screen your own man–I know this sounds crazy, but think about this tactic. Suppose you made a pass to the left wing and down screen for a teammate on the right wing. As the cutter is about to use your screen, you screen YOUR OWN MAN. Why? Because he’s getting ready to switch onto the cutter, but he CAN’T because you are screening him. This will really confuse the defense as you are getting open easily on every screen. I have seen this work against very good man to man college teams so I know it is technically sound and a good strategy to go to against switching.

What makes the game great is all of the wrinkles and strategies that a coach can use. I hope this has given you some insight on how to attack and beat switching defenses.

This came from the Xavier Basketball Newsletter

By Mike Dunlap – former HEAD COACH, CHARLOTTE BOBCATS, currently Head Coach at Loyola Marymount.

Let’s go to work!

First, understand that in any given game free throws make up 25% of the total score.

Do you spend an equivalent amount of practice time on free throws?

If not, you can expect to see your team shoot under 70%, an unacceptable standard.

The following suggestions might assist in your team’s improvement with free throw shooting:

1. Get a philosophy.

a. Know how you want your players to shoot free throws and insist that they shoot them a particular way (i.e. if they shoot over 80% then leave them alone).

b. Points of emphasis physically

1) Legs: You shoot with your legs (i.e. every shot finished with player on tip toes).
2) Follow Through: Elbow points to rim and hold gooseneck for count of two EVERY TIME.
3) Eyes: On target at all times.

c. Points of emphasis mentally

1) Breathing: Teach your players that breathing is an important vehicle in relaxation.
2 ) Visualization: The player should see himself making the shot before he steps to the line.

2. Get a system that you can incorporate into your daily practice.

a. Post a list of your players in the gym weekly. Require them to make a minimum of 25 free throws before and after each practice. Each player must record how many shots it took him to make 25 shots; the players begin to take responsibility right from the first practice; the players can all quickly see the progress they are making; certain players will ultimately realize that they need your assistance.

3. Practice time allotment to freethrows must remain consistent.

a. Be committed to shooting freethrows for a certain time each practice; be committed to demanding absolute concentration as players and coaches have a tendency to relax during freethrow segm ent sin practice; be committed to varying your freethrows, constantly competing against others and thems elves, and have some freethrow games thrown in there so that your players have some fun.

4. Make a big deal out of free throws.

a. Pick times during practice to stop everything and put a player at the free throw line. Tell the team that there is no time on the dock, one and one, and your team needs to hit both in order to beat your biggest rival. If he should miss, make the whole team run a suicide. The team quickly understands that a missed free throw huts the entire squad.

b. Occasionally bring in a reward for the best free throw shooter of the day. The point here is to spice up free throw shooting while stressing importance.

c. In your locker room you can post previous outstanding free throw shooters as free throw shooting should become part of your tradition. We all have our own ideas about how a free throw should be shot. All I am suggesting is that it is an area we can improve on with a little more thought, and certainly, the rewards will be worth the toil. Regardless of your talent, this is an area where a coach can have a tremendous influence and can steal a few extra wins.

Free Throw Drills

As a coach, you must teach your players how to concentrate and constantly challenge them. Hence, we set up drills that put them at a disadvantage or pressure situation.

Drill #1

5 point game

a. 5 points for a swish (no rim).
b. 4 points when ball hits any part of the rim.
c. 3 points when ball hits both sides of rim.
d. 2 points when ball its nm three times, rattles, etc.
e. I point when ball rolls around rim or hits backboard.
f. 0 points for a miss.

* Now the shooter must concentrate not only on making the shot but also on how he puts the ball through the cylinder.

Drill #2

The Lap Game

a. Divide your team into two, three, four, etc. groups.
b. Each player gets one shot.
c. If the first player makes his shot and the second player misses, then the player who misses must sprint a lap.
d. If the first two players make their shots but the third misses then he runs two lap and so forth,

* A good game because pressure steadily increases on the players as shots are made.

Drill #3

The Basket Game

a. Each player must make a free throw at each basket in the gym consecutively or he must start over b. You can name any number you want).

* Breaks the routine of the shooter and force the players to adjust.

Regardless of what pattern or scheme you use to break a full court zone press, here are some concepts to consider applying to what you do to make it more effective. I hope that it gives you some inspiration to put your beliefs about press offense in writing to bring improved clarity to what you believe and what you want to accomplish.

I like to call it Press Offense rather than Press Break because I want the objective to be to score against the press.

There are links to more articles about press attack listed at the bottom of this post.

1. Have a designated inbounder. If you can’t inbound the ball against a press, then there is no need for a press breaker. Inbounding the ball is too important to leave to the chance of whichever of your players is closest to the ball after it goes through the basket or is close by when the official is ready to put the ball in play.

We like to have the same player inbound the ball every time because that player has practiced and has experience inbounding the ball in tough situations.

A consistent inbounder will develop a good feel for the five second count. Just like any other position, you need a “depth chart” so that you know who will inbound the ball if your primary inbounder is out of the game. Everyone on the team should know the game rules and our rules for inbounding the ball such as when it is a spot and when he can run, never inbound the ball underneath the backboard, don’t inbound the ball to a player in a trap zone, and whatever rules you have for inbounding the ball, but the designated inbounder must be able to apply them under pressure.

2. We like to have four players (including the inbounder) in the backcourt to bring the ball up. We like this for two reasons. One, it allows us to have a finisher to be able to score at the basket when we beat the press. Two, since we do have someone at the basket, it forces the opponent to put a player back to cover that and we can play four on four in the backcourt for better spacing than five on five in the backcourt.

3. We make sure that all three players who are inbounds are available as direct receivers of the inbounds pas. We want to get the ball to the first open receiver who is not in a trap zone. We teach our inbounds receivers to go no deeper in the corner than the corner of the volleyball court to keep them out of trap zones.

4. We position the finisher at our basket and above the opposite block from where the ball is at all times. That will require him to change sides of the floor as the ball changes sides. The finisher must have good hands to catch a bounce pass in traffic, must be able to score with contact for a three point play, and must be a good free throw shooter. We work on all of those skills with the finisher every day in individual development.

5. We like to get our best perimeter player in the middle of the press to work to get the ball to him and then let him make a play off the dribble or the pass to beat the press. If that player is also our inbounder, we find a way to get him to the middle as quickly as possible after the ball is inbounded.

6. We believe that you must have an option to throw long and over the first wave of the defense if they are denying the inbounds pass to all three of your inbounds receivers. We send two players long (one on each side of the court) if they do not get the ball by the time they get to the corner of the volleyball court and keep one player for a short pass if his man leaves to play like a football safety on the long pass.

7. Once the ball is inbounded we want to establish three receivers available to the ball and with 15 foot spacing from each other and from the ball. Since we have an offensive player positioned at the block at our basket, a player with the ball occupying two defenders who are trapping him, then they only have two defenders left to cover our three available receivers. If they are spaced at 15 feet apart, that makes the job of those two defenders a very difficult one.

8. We use pass fakes against a press with two purposes in mind, one being to put the trappers’ hands where want them to be able to pass by them. The second is to move the two defenders who are guarding our three available receivers in order to open up one of those receivers. We feel it is important to sell our players on these two faking concepts (against all defenses, not just a press) because players usually think that they must fake to one of their teammates. It is often helpful to fake to air with one of these two purposes in mind. The defenders don’t know if there is or isn’t a receive where the ball is being faked to, so they are going to react to the fake.